“…This theatre maintains a kind of documentation, and meticulously shows the results of the field survey of the garbage collectors: what time, what to do, and how to classify the garbage, all of which represent a very different theater form. I want to witness this time…this kind of behavior, this kind of performance, this project all have symbolic significance in the theatre academy of China .”

-Zhang Xian (one of the earliest independent Chinese playwrights of the Post-Mao era, director, producer, with more than ten plays and dances performed around China, Europe and America)

“…这个剧保持了一种文件性：细致到几点钟，干什么，垃圾里面很多细致的分类问题…都表示了一种非常不一样的剧场形态，即没有把它作戏剧性的处理…纪实剧场有很多类型，这里就是一种 ”可能“。我觉得很重要的是出现了这样的方法论…我们的戏剧学院很少，但是今天，有了…我要来见证，这种行为，这种表演，这个项目，都是一个非常重要的象征。 ”

-张献，中国先锋派戏剧家代表、剧作家、社会编舞家。其舞蹈剧场作品《舌头对家园的回忆》曾获苏黎世艺术家ZKB大奖;多部剧场作品上演于欧、亚、北美各大洲多个城市。