“This work shows me a method of creation……it’s called “Dancing Kalami”…… people speak in dialect when they are talking about themselves…we suddenly felt that the culture and art we have been doing for generations is a kind of “fake culture”, which is not the culture of our real body.”

“Everyone’s story, everyone’s dialect, my kindergarten…where I passed by…what I met…… these stuffs are fun, and there’s some humor in the process. ”

– Zhang Xian (one of the earliest independent Chinese playwrights of the Post-Mao era, with more than 10 plays and dances performed around China, Europe and America.)

“这个作品让我看到一种创作方法，可能就是跟它的名字（吻合），叫’舞蹈卡拉米’…人们在诉说自己的时候讲方言…使我们在现场里面突然感到，我们一代又一代的人所搞的文化和搞的艺术，它是一种“假文化”，它不是我们真的我们身体的文化。

每个人的故事、每个人的方言，我的幼儿园…我路过了哪里…我遇到了什么…这个东西很有意思，还有一些幽默的东西，都在这个过程中。”

-张献，中国先锋派戏剧家代表、剧作家、社会编舞家。其舞蹈剧场作品《舌头对家园的回忆》曾获苏黎世艺术家ZKB大奖;多部剧场作品上演于欧、亚、北美各大洲多个城市。