Unfolded with Tang’s narrative in Taojiang accent, this dance theatre is a parallel of Tang’s “left-behind” Childhood and his 10-year “migrant dancer” experience. Partly because of the Chinese “Hukou” system (a system of residence and household registration that constrains rural residents’ influx into cities by setting barriers to urban schooling, medical care, and public facilities), Tang discovered he could never be a citizen both economically and mentally.

After years of working in several cities in China, Tang finds himself, as an migrant worker, actually living like a public bike. Combined with the capitalist society, the discriminatory system that produced migrant workers is actually working the same as a bike-share system: he has no right to select where he wants to work and live, while his body could be shaped into whatever the capital wants.